Vol. XI, No. II

Co-Editor · Photography & Videography Director

Daniel Przemyslaw

Daniel Przemyslaw is co-editor of The Collector’s Review and its photography and videography director. He covers motoring, watches, cigars, aviation, and fine art, approaching collecting as an allocator would: provenance over price, substance over marketing, and the arithmetic underneath the romance. He reports, and shoots, from paddocks, salerooms, and gallery back rooms.


Covers Motoring, Watches, Cigars, Aviation, Fine Art

By Daniel Przemyslaw

16 pieces

A concours field at dawn, lots under cover
Motoring 4 min read

Worth, Not Price

A capital allocator's case that provenance, not the hammer figure, is the asset you are actually buying at a great auction.

A painting by D.C. Christian, our gallery partner
Fine Art 4 min read

Notes from the Studio

An afternoon with the painter D.C. Christian, who shows by invitation only, on why the hardest work is the kind worth keeping.

A picture gallery hung floor to ceiling, connoisseurs at the canvases
Fine Art 4 min read

Buy the Eye

In art, as at auction, the signature is the easiest thing to pay for and the least worth having. Collect the work, not the name.

Fuente Fuente Opus X, the most chased box in the humidor
Cigars 4 min read

The Opus X Problem

The most chased box in the room is rarely the best smoke in it. On allocation, scarcity, and keeping your head when everyone else loses theirs.

Cedar shelves of resting cigars, a hygrometer in frame
Cigars 3 min read

The Humidor as Portfolio

Aging, scarcity, and the quiet discipline of holding a humidor the way you would any portfolio worth keeping.

An odometer reading honest miles, leather worn soft
Motoring 4 min read

The Mileage Myth

Delivery-mileage cars are sold as the safest buy. For anything built to be driven, they are often the weakest.

Aged boxes with intact seals, a collector's shelf
Cigars 4 min read

The Resale Room

Rare cigars have a quiet secondary market. For the collector who buys with intent, the resale room is part of the portfolio.

A painting hung in a room and lived with, not vaulted
Fine Art 3 min read

The Living Collection

Art bought to be looked at outlasts art bought to be stored. The case for hanging the thing rather than vaulting it.

A row of vitolas, the same band, different shapes
Cigars 3 min read

Shape Is Flavour

The same blend smokes differently in a different size. Why the vitola is a flavour decision, not a preference.

A coachbuilt classic on the concours lawn at first light
Motoring 4 min read

The Concours Lesson

A lawn full of the best cars in the world is a free education in worth. What to study while everyone else takes photographs.

A Blancpain Fifty Fathoms on the wrist, understatement worn lightly
Watches 4 min read

The Quiet Complication

Why understatement signals real horological taste, and how in-house substance outlasts the marketing around it.

Original paint on an aluminium wing, soft afternoon light
Motoring 4 min read

The Case for Patina

Why originality beats a flawless restoration, and how to read a panel before you believe the paint.

A limited annual release, banded and boxed, laid down to age
Cigars 4 min read

Laying Down the Limited

Limited annual releases are made to be chased and smoked young. The case for the rarer patience of ageing them instead.

A light jet repositioning at dawn, empty cabin
Aviation 4 min read

Flying on the Empty Leg

The cheapest private flight is the one the operator was going to fly anyway. How to make flexibility pay.

A dealer's tray of vintage pieces, paperwork beside them
Watches 3 min read

Buy the Seller

In the vintage market, provenance and dealer trust are the product. The watch is what comes in the box.

All contributors