
Worth, Not Price
A capital allocator's case that provenance, not the hammer figure, is the asset you are actually buying at a great auction.
Vol. XI, No. II
Summer 2026
Worth over price at the great auctions, the second-wine strategy, and the math of the sky. The summer issue, around the concours season.

A capital allocator's case that provenance, not the hammer figure, is the asset you are actually buying at a great auction.

How to fly privately, intelligently and for less, without mistaking convenience for sense.

How the second labels of great houses deliver most of the pleasure for a fraction of the price, if you know when they shine.

An afternoon with the painter D.C. Christian, who shows by invitation only, on why the hardest work is the kind worth keeping.

In art, as at auction, the signature is the easiest thing to pay for and the least worth having. Collect the work, not the name.

The most chased box in the room is rarely the best smoke in it. On allocation, scarcity, and keeping your head when everyone else loses theirs.

Aging, scarcity, and the quiet discipline of holding a humidor the way you would any portfolio worth keeping.

Cask strength is not machismo. It is the most honest version of a spirit, and it lets you do the diluting yourself.

Delivery-mileage cars are sold as the safest buy. For anything built to be driven, they are often the weakest.

Rare cigars have a quiet secondary market. For the collector who buys with intent, the resale room is part of the portfolio.

Bottle size is not vanity. The format you cellar changes how a wine ages, and usually for the better.